Sunday 30 June 2013

“Breakfast at Midnight” with Country Music at the Jazz Republic in Prague.



On Thursday the 23rd of May, I went to the premier reading of Louis Armand’s Breakfast at Midnight. As the title of this article suggests, it was an evening that consisted of different elements, which formed an exciting experience… And even a month later, I am still positively tuned. 

According to the invitation, all was to begin at 19:30pm. I and my company arrived early, yet – as it is with most or all good things – we waited longer for the show to begin. At least the line at the bar was not so long and I did not have to worry about spilling my drink (Captain Morgan and Coke, if you are wondering) when swaying between the labyrinths of still-empty tables back to the refuge of our own, located in front of the stage.

Entertaining ourselves in conversation, the place meanwhile began filling up; I recognised English-American Studies students, a few teachers from the Faculty of Arts, a small number of individuals from the Prague Love, Blood and Rhetoric theatre group and last but not least, the persona of the evening: Louis Armand. Comme d’habitude, he wore his signature black fedora (called a “pork pie”) as he made last touches to the materials that were to be presented on the reflector screen. 

Soon, the programme of the evening was introduced to the now quite populated Jazz Republic. First Armand read an extract from his novel, then the translator David Vichnar; they were both accompanied by saxophone players who simultaneously bellowed quietly their impromptus. Afterwards, short films were presented, the translated novel was christened and “The Happy Funeral” band hit the stage.


(Photo credits: Anna Hupcejová)

For me and my company, the readings made for an enriching discussion. The same passage was read, yet both had a different rhythm and tone – Armand’s husky low voice embodied the sinful nightlife portrayed while the Czech translation in combination with Vichnar’s almost monotonic recitation seemed to have slightly dried up the fictional narrator’s tone.

The rest of the evening continued in a laid-back fashion; conversing with my table’s company, hitting lightly the table surface with fingers to the rhythm of the band’s merry sounds, watching the Jazz Republic’s population sipping on beer or wine, then laughing at that woman who stood up on her chair and began dancing… I left well before midnight, yet Armand’s recited chant “Godzoway, Godzoway, Godzoway, Bus-iness!” were the first to come in mind the next morning during breakfast.